Thulstrup, Thure de "Sheridan’s Final Charge at Winchester"
Thulstrup, Thure de "Sheridan’s Final Charge at Winchester"
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Thulstrup, Thure de "Sheridan’s Final Charge at Winchester"

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Thure de Thulstrup.  "Sheridan’s Final Charge at Winchester."

From Prang’s War Pictures.  Boston: American Lithographic Co., ca. 1890.  15 x 21 7/8.  Chromolithograph.  Full margins.  Several repaired short tears in margins.  Very good condition. 

Leading one of the many battles of Winchester, Virginia during the American Civil War, Gen. Phillip Sheridan rides his favorite horse, Rienzi, in a cavalry charge.  So memorable was the battle for the war hero that he later changed the horse’s name to Winchester. 

A print from a striking series of images of the rare and important Civil War series originally issued by Louis Prang between 1886 and 1888 and later reissued later by the American Lithographic Co.  In the early 1880s, Century Magazine had issued a very popular work entitled Battles and Leaders of the Civil War, and the Kurz & Allison firm had issued a large chromolithograph of Gettysburg.  In response to these, Louis Prang decided to issue a portfolio of 18 elaborate chromolithographs of important battles of the war.  Prang termed his prints “aquarelle facsimile prints” to distinguish them from “mere” chromos.  Prang claimed they were made by a “new and secret process”, but primarily they were chromos done without any line work. They were based on watercolors commissioned by Prang and they were intended to be naturalistic and accurate, for Prang was aiming these prints for veterans and their descendants.  Prang got testimonials on their accuracy from prominent veterans and he included detailed text on the battles involved.  The prints were quite popular, helping to create a great surge in patriotic nostalgia about the war.                                                                                                    

There were 18 prints in all: 6 of eastern battles, 6 of western battles, and 6 naval images.  There was intended to be something for everyone, and Prang focused mostly on heroes who were still living at the time.  They were issued either in a portfolio or separately for framing.  At first they were issued in parts over time, but eventually were packaged into three groups: East/West/Naval.