Palmer, F. F.  “American Farm Scenes. No. 2” (Summer)
Palmer, F. F.  “American Farm Scenes. No. 2” (Summer)
  • Load image into Gallery viewer, Palmer, F. F.  “American Farm Scenes. No. 2” (Summer)
  • Load image into Gallery viewer, Palmer, F. F.  “American Farm Scenes. No. 2” (Summer)

Palmer, F. F. “American Farm Scenes. No. 2” (Summer)

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F. F. Palmer.  “American Farm Scenes.  No. 2.”  (Summer). 

N. Currier, 1853.  Large folio.  16 3/4 x 24.  Lithograph.  Paper time-toned.  White streaks and smudges in image and top left hand margin.  Framed with spacers.  Sold as is and not examined out of frame.  C:135.  A/A                                                         

Professional paper conservation will increase the visual appeal and value of the print. 

From 1834 to 1907 the firm of Currier & Ives provided for the American people a pictorial history of their country’s growth from an agricultural society to an industrialized one.  For nearly three quarters of a century the firm provided “Colored Engravings for the People” and in the process, because of the democratic philosophy of the business, became the visual raconteurs of nineteenth-century America.  Nathaniel Currier established the firm in 1834, producing hand colored pictures using a then relatively new process called lithography.  Some of the finest artists of the day, Louis Maurer, Thomas Worth, Arthur Fitzwilliam Tait, Frances Flora Bond Palmer, George H. Durrie, Napoleon Sarony, Charles Parsons, and J. E. Butterworth were engaged by the firm to produce a variety of images.

The firm of Currier & Ives gained its reputation for producing two types of prints–”rush” prints that provided immediate visual reporting of major newsworthy events, and “stock” prints depicting every subject relating to American life: sports, games, home life, religion, entertainment, views of cities, and so forth.  The latter prints, which included generic images of American scenes, are amongst the most endearing and enduring of the firm’s work.  Charming and colorful, this is a wonderful example of the work of “America’s printmakers.”