Tait, Arthur Fitzwilliam “Pigeon Shooting. 'Playing the decoy'”
Tait, Arthur Fitzwilliam “Pigeon Shooting. 'Playing the decoy'”
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Tait, Arthur Fitzwilliam “Pigeon Shooting. 'Playing the decoy'”

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A.F. Tait (1819-1905).  "Pigeon Shooting. 'Playing the decoy.'"

New York: Currier & Ives, 1862. Large folio. 19 1/4 x 27 5/8. Lithograph.  Original hand color.  Wear at edge of margins. Bottom margin trimmed to just cut into secondary imprint. Light mat burn in margins.  Else, very good condition. C:4780.

From 1834 to 1907 the firm of Currier & Ives provided for the American people a pictorial history of their country’s growth from an agricultural society to an industrialized one.  For nearly three quarters of a century the firm provided “Colored Engravings for the People” and in the process, because of the democratic philosophy of the business, became the visual raconteurs of nineteenth-century America.  Nathaniel Currier established the firm in 1834, producing hand colored pictures using a then relatively new process called lithography.  Some of the finest artists of the day, Louis Maurer, Thomas Worth, Arthur Fitzwilliam Tait, Frances Flora Bond Palmer, George H. Durrie, Napoleon Sarony, Charles Parsons, and J. E. Butterworth were engaged by the firm to produce a variety of images.

The firm of Currier & Ives gained its reputation for producing two types of prints–”rush” prints that provided immediate visual reporting of major newsworthy events, and “stock” prints depicting every subject relating to American life: sports, games, home life, religion, entertainment, views of cities, and so forth.  The latter prints, which included generic scenes of American homes and farmyards, were amongst the most endearing and enduring of the firm’s work.  This print is an archetypal Currier & Ives image, expressing the qualities for which their work is best known.   It was drawn by Louis Maurer, a German immigrant who produced some of Currier & Ives most enduring images such as this classic winter scene.